Instead of typography moderating the visuals, it takes the purple and pink from the pastel and the typeface Sklonar originally created for the gallerist Zdeněk Sklenář, who organized the exhibition together with the Ludwig Museum in Koblenz, becomes part of the picture.

 

An exhibiting space for Prague gallerist Zdeněk Sklenář at Prague’s Smetanovo nábřeží. It is simply called S.
Design by Studio Najbrt

The almost complete Briefcase team. Only Jana Horáčková is missing in the photo; Jana was involved in research work among tribal communities of the Alto Purus river basin in Amazonia at the time the phot was taken. Photo: Michal Šeba

1/Reflex was designed by graphic design team, namely Pavel Beneš, Pavel Lev and Aleš Najbrt, for Reflex, a weekly magazine focusing on social, political and cultural commentary and issues that first went to print in 1990. Aleš Najbrt was a key figure at the magazine, simultaneously holding the posts of art director and editor-in-chief during the magazine’s formative years from 1990 till 1992. The headlines of regular magazine columns were hand drawn in ink and were based on the logotype.
2/A duo of mime equilibrists, performing since the eighties under the name of Thomas & Ruhller, rightly deserves to be labelled “cult”, despite such emotive words being hyper-inflated these days. Thomas & Ruhller skillfully walk the tightrope above the abyss of “embarrassment” and are the embodiment of your boldest dreams.
3/Thomas & Ruhller is a display type inspired by theatre mastery and transforms sensual stage movement into two dimensions. Individual letters refer to famous figures from theatre and thus constitute a sort of “best of” theatre performance,